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Painting as Image- thing
À̹ÌÁöÚª·Î¼ÀÇ È¸È
2004. 5.22 - 6.30
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Grapes, Acrylic & Oil on Canvases 227cmx182cm ,2004
Painting as an Image-Thing
My new work is done during last one year period of time, looking at the grapes growing out of dry, gray branches last spring, and the pumpkin plant that could not grow a lot of full grown pumpkins because of too much rain at summer.
I have worked equalizing the colr of the object on the canvas and adding in the conceptual and visual perspective, expressing the quality and the physical shape within the colors. These days I approach to the object in variety of ways, sticking the real object such as leaves, or a photograph on the surface and adding paint touch by touch, contronging the colors. During the process, I create a new image on the canvas.
While I add in the touches of paint on the canvas, it feels that I am 'working', rather than the traditional concept, 'Painting'. It is the same idea as working on dirt wit a spade of an hoe. The paint that has moved as if it was recording the time, forms droplets that accepts that accepts light and still makes a clear image. This kind of process expresses the existence directly, showing a netural look as if the object and the paint was forming as one.
It is easy to tell that everything appears and disappears in certain amount of time, just like what I try to show through my images going through the surface. Also the style of work that makes relationsip with the steps of the process with each other shows the natural figure that correspondens to itself. As yesterday and today's time exists together, toommorrow's time has come into the image in a diachronic form.
The outdoor works can be seen as translations of the flat surface work into 3 dimensional space. I collected stones big and small, matched the sides and formed a tower-like figure, and then I have worked through the colors and left the traces of it, following the difference of shadows and lights formed by natural sunlight.
All the outcomes of my work has an visual idea that formed in my head while drawing the real object, also as the object is drawn. However, I always try not to interfre with the flow of my working process, it is because I wants to be like nature, which works mindlessly and still so perfect. I want my work to be juxt like an moment of nature, fresh and unlimited, which imspires an persons eyes, the head and also the mind.
2004. 5 Won-gil Jeon
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